Description
Label Review.
2017 ambient project.
Our Overview.
British percussionist Steve Jansen is best known as the co-founder of influential new wave group Japan, but since the band's breakup in the early '80s, he has remained prolific as a collaborator, studio musician, and producer. Born Stephen Batt in 1959, he co-founded Japan in 1974 with his brother, guitarist/vocalist David Sylvian, as well as bass guitarist Mick Karn and keyboard player Richard Barbieri.
Steve explains on David Sylian.net “Born 1959 into a family of five. Survived South London for 18 years. Schooling provided the angst, music the inspiration. Acquiring guitars in '71 inspired my brother David and I to create our own music. Being left handed was a set back so took up playing percussion. David and I became musical partners inspired by early Bolan/Finn recordings. Switched to drums in '74 with Mick Karn on bass.
Signed to first label in 77. Success in Japan sustained us compensating for relative failure elsewhere until signing with Virgin Records in '80. The rest of Japan's history is well documented. Due to the band's success and sudden disbanding many compilations have since emerged. Original members reformed for a one-off recording as Rain Tree Crow in '90.
A consistent partnership developed between myself and Richard Barbieri and together we produced a series of 5 studio albums between '85 and '96 for Virgin Records, Venture Records, and my own label Medium Productions which I formed in '91 with Karn and Barbieri. These were primarily instrumental works with occasional vocal compositions. Sustained long term co-writing / recording / touring relationship with Yukihiro Takahashi (Yellow Magic Orchestra). Also teamed up with various artists for other Medium Productions releases: DJ Takemura, Claudio Chianura. Aside from these collaborations work has been diverse. I've contributed as a musician, composer, producer, mixing engineer and live performer to alternative and occasional mainstream artists.”‘
The Extinct Suite’ is a reinterpretation of the more ambient and orchestral elements of ‘Tender Extinction’. Not a remix by any means, some familiar passages are woven together with additional pieces to create a suite of instrumentals lasting over 55 minutes as one single track.