Label Review.
2016 album from Porcupine Tree guitarist who has worked with Fish from Marillion in the past.
Our Overview.
John Wesley has built a long and varied career as a songwriter, “sideman” guitarist, and recording artist. His own website describes his music “lyrically sensitive and musically dynamic. His songwriting style incorporates emotionally-charged vocals that evoke the honesty and intimacy of Roger Waters and Patty Griffin coupled with a melodic yet intricate guitar style reminiscent of David Gilmour, Alex Lifeson, Jeff Beck, and Warren Haynes.” And that Wesley’s guitar-driven acoustic and electric songs “represent the cultivation of many inspirations — alternative, progressive, art, and classic rock genres intertwined with poignant lyrics drawn from the poetry of the common man. What really appeals to Wesley’s fans worldwide is a spark of sincerity and sensitivity so oft absent in today’s mainstream music."
Most recently, John Wesley has performed as sideman, guitarist/vocalist for critically acclaimed UK based recording act Porcupine Tree during the In Absentia, Deadwing, Fear of a Blank Planet, and The Incident world tours. He has performed in the band for nine years, culminating in 2010 with sold out performances at Radio City Music Hall and the Royal Albert Hall.
His first new album since the release of Disconnect 2014, in a press release July 2014 John had this to say: "a way you'll never be' was fairly big step for me in that I have worked extremely hard at bringing the two sides of my writing together; the "acoustic singer songwriter" and the "electric heavy guitar" elements. This album is most certainly the set of songs that has successfully combined my introspective lyrics with the aggressive type of guitar playing and writing that I love. Mark Prator and Sean Malone brought the songs to life as an amazing rhythm section. The themes of the lyrics, the melodies, and the playing make these my favourite, most cohesive and adventurous set of tracks to date. Stylistically the songs revisit some of the guitar music of the 70's that grabbed me and made me want to be a guitarist. Sonically I combined those 70's big guitar tones with the modern sounds available to us as guitarists today."